"I
am extremely pleased with the beauty and depth of the Organiverse Portfolio. It
is a ‘Garland of Flowers’ in my daily experience. It is
a wormhole entrance into both the depths of the starry night and the inner
life process of the biosphere we inhabit. A tour de force that will reverberate down the annals of human cultural history. A
unique and magical work of true and lasting significance." Brian
W. Johnson
Henri van Bentum, left and Brian W.
Johnson, right
Sidney Pier, August 13, 2010
In
an artist’s life, once in a while, someone comes along, gives support, and
enables a creative project to continue
Organiverse is a series of 100
mandalas painted in pointillism that I created in 1972, forty-six years ago,
starting in Morocco and completed on the island of Madeira.
The original work is comprised of 25 folio pages, each with four mandalas of 8 cm. in diameter.
While
we are occupied with our daily existence, a great mystery takes place: Life,
evolving in every form, from micro to the macro cosmos. With this project, we
share insights into the enigma called life, embracing art, science and ecology --
a timeless universalism of growth, evolution or genesis. We have the microscope
and telescope within, and an unknown destiny.
This
work also embraces the interplay and relationship of Colour. It is further a
study in organic development. The invisible is made visible, through dots. We are
biologically no more nor less than dots --- atoms. The planets and even the Sun
are only a spot in space, depending from where you look.
All
life has a beginning, be it the birth of plankton, a whale, lichen, an oak
tree, a mouse, and elephant or human being.
All
comes out of darkness the womb, the cosmic egg. Beyond darkness and ignorance
there awaits Light. Henri van Bentum, on “Organiverse”
Mandala #82 in the Organiverse portfolio set of #100
mandalas,
painted by Henri van Bentum dot-by-dot
in pointillism. Actual size 8 cm.
Brian
helped to make the work known to a wider audience. His keen interest in Organiverse resulted in our working
together on a couple of related new projects.
In
2005, not long after we met, Brian assisted by correcting the electronic scans
of the mandalas that had been done by Hewlett Packard. This is a little bit of
history to put things in context:
In
early 2003, Natasha approached the CEO of Hewlett Packard with a
challenge: can their scanning equipment faithfully
reproduce the “Organiverse” paintings, and be true to their original colours? The
CEO assigned Allen Rothwell, their colour specialist, to the job.
In
late 2002 and early 2003 Allen visited us in Vancouver where we lived at the
time. He brought with him their latest scanning machine, and scanned all of the
paintings to make digital files. I asked him if he could create a ‘reverse’
edition of the images, which he did.
Thus,
a “Starry Night” version of Organiverse was born.
Allen
had 25 sets of Organiverse printed in Toronto which were shipped to us a month
or two later. This shipment included 25
of the new “Starry Night” edition.
In
September 2006, after seeing these reproductions, Brian stepped forward and
purchased several folio containers in which to place the newly arrived
reproductions.
Next phase
However,
although Natasha and I were pleased with the contribution by HP, because of the
pointillist technique, achieving colour accuracy on the scans was a challenge. Despite HP’s best efforts, the scans did not reflect
100% the true colours of the original artwork.
What
was I to do? I’ve never used a computer and likely never will. Natasha is the cyber-engineer in our family.
But,
Brian offered to help, and I gladly accepted his offer.
So,
together over several weeks, he calibrated the digital file of each mandala
according to my instructions, and the result was a truer rendering of the
original colours.
So
now we had good quality scans.
It
wasn’t long before Brian came up with a great idea – to create what he called
hand-held Organiverse “rotation” sets.
Sample of the Organiverse hand-held rotation set
showing mandala #3 of #100
Brian knew it had
always been my motivation for the Organiverse mandalas to be used one-by-one, as
a ‘kasina’ or device for meditation
and contemplation ---enabling people to work with each mandala individually.
His
idea was to have prints of the 100 individual mandalas, original size, and place
them in a well-crafted wood holder. This way the viewer could ‘rotate’ each
mandala to study individually.
Thus
it evolved.
From left to right: Henri van Bentum, Mrs. Jane Johnson, Brian W.
Johnson
August 13, 2012
However,
since we now had an additional complete series of the “Starry Night” edition
electronic files, this meant Brian also printed and produced several handsets
of each edition – the original, “Helios”, and the “Starry Night”. I numbered and signed the back of each one.
Organiverse enters
another chapter in its story
Fast
forward another year. In 2007 Natasha brought “Organiverse” to the attention of Dr. James Hesser, who at the time was Director of the NRC Dominion Astrophysical Observatory. Jim was heading up a local organizing team for IYA 2009 - UNESCO International
Year of Light, and is a member of the Royal Astronomical Society of Canada (RASC).
He and other RASC Victoria members responded positively and were fascinated by the way many images in the “Starry Night” edition evoked images of space.
He and other RASC Victoria members responded positively and were fascinated by the way many images in the “Starry Night” edition evoked images of space.
The
organizers appointed their tech expert to create full videos of each edition of
Organiverse, and these videos were
part of the IYA 2009 celebrations here in Victoria, a focus on an international
cornerstone project called “From Earth to the Universe”.
This
in turn led to my collaborating with NASA’s Chandra X-Ray Observatory, whose
Public Outreach & Education staff created an online exhibit called Coloring Space, juxtaposing a few
of my “Starry Night” Organiverse
works with images from space.
“Coloring
Space”, an online exhibit created by NASA's Chandra X-Ray Observatory
juxtaposing a selection of my paintings from the "Starry Night"
edition of Organiverse, with images from space
edition of Organiverse, with images from space
Then
a year later, one of the astronomers connected with IYA 2009 who also was taken
with the evocative power of Organiverse
posted the three videos that had been created for IYA and put them on our Vimeo site.
mandala #26 from the set of #100, Organiverse
“Starry Night” edition
However,
of all these positive developments and various chapters in the life of Organiverse, I am most pleased with Brian’s
idea of individual rotation sets, since they come closest to my original
motivation and intent in creating the work. Following this blog post is a commentary written by Brian -- "Some Notes Regarding Kasinas with Reference to the Organiverse Portfolio".
And
so the story of Organiverse continues
to evolve. In fact the most recent
iteration was Brian’s idea to upload the mandalas onto a digital frame, where
an image of each painting appears after ten seconds or so. He did this for both
the original edition and the Starry Night edition.
In closing, here is a quote from a medical doctor who has a family practice nearby, in Brentwood Bay:
In closing, here is a quote from a medical doctor who has a family practice nearby, in Brentwood Bay:
“Organiverse is a glimpse into the multilayered beauty of all that is Life.
These mandalas offer an immense opportunity for healing
and for a heart-based understanding of who we are physically, emotionally and spiritually.
A dance of colour, form and contemplation.”
Dr. Mark Sherman, MDCM, CCFP
Thought
I’d share this history with my readers. With appreciation to Brian W. Johnson for his
awareness of my vision for Organiverse,
his patronage, enthusiasm, and friendship.
Note
to readers: on Henri’s blog, in the Search
box, enter “Organiverse” and several posts will appear with more history.
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