2016/11/21

Preview - new project


The Henri van Bentum Archive Project




Mandala #87 from the #100 set
ORGANIVERSE, original Helios edition ©
Henri van Bentum
Watercolour on paper, 1972
size:  8.5 cm in diameter

We are currently working on an Archive project.  At this stage the goal is to gather as many digital photographs as possible of my paintings (located around the world) in private and public collections. You can see a preview of the site here.  


2016/11/18

Destiny moves in unknown directions


Destiny moves in unknown directions, we all know that.  Seventeen years ago, I was guest artist and lecturer aboard a ship making a circumnavigation around the world, to mark the new millennium in the year 2000. (See Blog posts of 12/2008). We had a class of twenty-five student/passengers over the  4 1/2 months of the voyage. 

Amongst them was a couple who lived at that time in Colorado. The woman proved to be an excellent watercolorist and very good draftsperson.

Natasha and I have been on many ships in the same capacity. Over the years I’ve had maybe a thousand or more students. We stayed in touch with only a handful, and amongst them, this American couple.

A few years ago they moved to Arizona. In late 2013 they sent us an email to ask if we’d be interested in looking after their house and their cat, a Bengal breed, while they went on vacation for the month of February. 

Since we reside in Victoria, BC and our winters are wet and chilly, the request came as a welcome respite. 




Henri van Bentum with friend, the "Bengal" cat

To make a long story short, we not only took them up on their invitation, but returned again the following year while the couple went on a 3-week Christmas holiday.

We probably would have gone back again since then, because we are very fond of this unique species of cat (and great fun to be with) --- except in the summer of 2015, I was diagnosed with bladder cancer.  Happily, however, it seems that now those ‘alien stowaways’ have been defeated.

Not long ago my artist/student contacted me. She asked if I’d like to write a children’s story for a series of watercolors about tropical fish and coral reefs. 

Gladly I obliged.  


And so our collaborative project was born:  a children's fable that will be published as a printed book. The title is “King Neptune’s Jewels with Tails and Fins” (c).  We're currently in the production stage, and the book will feature some twenty illustrations by my artist/friend, whose idea is now becoming reality. 

We will keep you posted when the book becomes available.  It will be self-published, using Amazon’s “CreateSpace”.

So, like I said at the beginning of this post, destiny moves in unknown and unexpected directions – which sometimes proves to be a pleasant surprise.














2016/05/21

Remembering my cousin - Dr. Piet van Bentum






“Letters From Far Away Lands”
Remembering my Cousin -  Dr. Piet van Bentum

Petrus Bernardus van Bentum (Piet)

Feb. 27, 1931 –  January 1, 2016


Piet van Bentum,1962, New Guinea

Piet van Bentum was born in Amsterdam in 1931.  Piet wanted to be a doctor, but had no funds to go to medical school.  However his mother (sister-in-law of my father), obtained work as a technical assistant to my father, who was a diamond-facetter at Asher in Amsterdam.  This allowed Piet to go to medical school.

Also the Dutch Reformed Church (DRC) was always looking for missionaries and for young doctors who they would sponsor, like a scholarship. The DRC missionaries had been active in many countries around the world, for centuries.  For example, they established a church in New Guinea (now Papua New Guinea), already back in 1640.  Piet applied and trained to become a doctor.

During this time, cousin Piet visited me while I was in a tuberculosis sanatorium called Zonnestraal (‘sunbeam’), near Hilversum.  After I immigrated to Canada, we corresponded in the 1960’s by mail.

After graduation Piet married, and in 1962 was sent far, far away to a remote region of New Guinea -- to the highlands at Ajamoeroe. There he worked amongst a tribe that until recently had been headhunters and cannibals.


New Guinea


It was wonderful to receive letters from such an exotic place as New Guinea; even the envelopes and stamps were a source of wonder not only to me but to others in Toronto. 

During a cold Canadian winter, I often imagined Piet over  there in New Guinea.  His letters brought things to life from that far-away place. As an artist, I lived a nomadic, bohemian life and had at least twelve different addresses in three years, so sadly I no longer have Piet’s letters.

In New Guinea, Piet travelled around to various places with other doctors to gain experience.  In his letters, he described being there was “like living at the dawn of time”. 

Dr. Piet set up camp and a clinic in the highlands.  (A hospital had been established in Biak, the closest town.)  His ‘patients’ had no currency as we know it.  Their culture was based on the barter system. The most valuable currency was piglets, and also shells such as Kina or Cowrie shells. 
 

Kina (and Cowrie) shells were a form of currency. Here you can see shells that have been cut and made into a necklace.

In this way, the young van Bentum couple experienced the barter system. One of Piet’s patients gave him a skull in exchange for treatment.  It had been the head of an enemy warrior.  Piet realized this skull was a valued object, and the patient instructed him with gestures that he was to use it as a pillow. (!)

One day, another patient came with an arrow sticking out of his chest.  Dr. Piet carefully removed it, and told the man to stay at the clinic for a few days until the wound had healed.  

Next morning on his rounds, Dr. Piet noticed his native patient had disappeared. But three days’ later, the man arrived back -- with two piglets -- as payment.  He pointed at his chest, which had already healed, and gave Piet a big grin.



Several of the tribesmen had injured their genitals due to ‘accidents’ with the penis sheathes they wore, which gave Dr. Piet a lot of extra work. All the while, there were still skirmishes and fighting between tribes, mostly about piglets, land or women.   However, there was no more headhunting or cannibalism.

During this time, the young couple became parents to a boy, Carel, who was born in Biak.

Then, the Indonesian government declared that all citizens of the Netherlands had to leave New Guinea.  Mrs. van Bentum and her new-born son travelled back home, and Dr. Piet stayed on a while longer.

After New Guinea, Piet returned to the Netherlands, where he took extra training in surgery.  A second son, Pieter Jr., was born during this time.

But in 1964 Piet was off again:  this time, posted to Cameroon, Africa to do the same thing, provide his services as a doctor.  Piet worked in a hospital where he also  made use of his newly-acquired surgery skills.  There, in Cameroon, a third son, Floris, was born.



 Stamps from Cameroon
 
After three to four years (in 1967), they returned to the Netherlands via freighter. The ship’s cargo was African wood.  The freighter caught fire and the van Bentum’s were transferred to another vessel, homebound.
 
On one of my visits to the Netherlands, Piet showed me his collection of artefacts from New Guinea and Cameroon.  Already back then, I suggested that he write a book about his experiences.  But he didn’t seem keen, shrugging his shoulders and saying “not important”. 

All these experiences in both New Guinea and Cameroon enriched Piet van Bentum’s knowledge of tropical diseases, and gave him a unique set of skills.  

In 1967-68, Piet was a GP, in Utrecht.  Then, he applied for a position as an instructor for young international doctors at the renowned Royal Tropical Institute in Amsterdam (Koninklijk Instituut voor de Tropen /KIT. ) Piet van Bentum worked there for five years.


Early picture of Koninklijk Instituut voor de Tropen (now known as KIT)

In Groningen, he became Director of the south-west Groningen Geneeskundige Dienst (GGD), [“Groningen Medical Service”], serving for six to seven years as medical advisor for sixteen districts. From Sneek, they moved to Veendam, where Piet also worked for the “GGD” as manager/doctor, but for the north-east district of Groningen.

Piet really loved sailing. He had a sailboat, called “The African Queen”.  He also kept bees, for honey. 

Piet was one of a kind.  As I mentioned earlier, I often encouraged him to write his memoirs, but he never did.  I don’t know why, for he had so much to tell us all.   

He retired in 1993 and moved from Veendam to Frieschepalen.

Piet van Bentum was a happy family man, had a great sense of humour, and was a true humanitarian. Piet recently went ‘over the horizon’, in his sleep, on January 1st of this year.  It is in his memory that I compose this blog post.  

 A picture of the “Tuinfluiter” in the garden at Piet and Wimmy’s house. Piet loved this spot, where he admired the peaceful landscape of Friesland.



Henri van Bentum









2016/02/25

One of the mandalas from my "Organiverse" Starry Night edition reproduced on cover of Network Review


Below is a picture of the cover from the most recent issue of Network Review, an international journal published by Scientific and Medical Network, showing mandala #26 from the set of #100 of my "Organiverse" Starry Night edition.


To read about the history of the Organiverse portfolio, simply enter the word "Organiverse" in the blog Search box.  Or visit our Vimeo site with videos of the full set in both the original, Helios edition, and the Starry Night edition.

 ***

In addition, here is an item published on our website about the Organiverse Handheld Set.


 Art, Meditation, Ecology
  Atom by Atom - Dot by Dot

Art

Created in Morocco and on the island of Madeira by artist Henri van Bentum, born in the Lowlands in 1929.  van Bentum's work is in several public and many private collections around the world. All 100 mandalas in the Organiverse series are done in pointillism, dot by dot.  Each mandala is only 8.5 cm. in diameter.

"The work of Henri van Bentum reminds us of organic processes on the cosmic and microcosmic levels. His work helps me understand the vastness, complexity and beauty of the cosmos. 
 van Bentum's work is executed with a fine sense of colour and other elements. 
I see his work as a paradigm for enduring works of art in the future." 
 Leslie Mezei, Former Professor of Computer Sciences, University of Toronto

Meditation

Organiverse is a meditational aid or 21st century kasina device. It is used to enhance meditation practice. It works by simply placing the cards face-out in the display module and, after allowing for some time to pass, move the front facing card to the back of the holder. In this way you will rotate through the Organiverse mandalas in sequence. The idea is to go through the whole series of 100 spheres.

Ecology

Henri van Bentum was one of the first eco-artists beginning in the 1950’s. He has always advocated ‘Small is Beautiful’ and works on a small scale, using a minimum of resources for maximum results. The Organiverse rotation handset comes in a unique wood display holder made from recovered wood from Vancouver Island, as part of the Woodworkers Guild “Wood Recovery Project”.

This box is made from recovered Garry Oak.


“Organiverse is a glimpse into the multilayered beauty of all that is Life. These mandalas offer an immense opportunity for healing and for a heart-based understanding of who we are physically, emotionally and spiritually. A dance of colour, form and contemplation.” 
 Dr. Mark Sherman, MDCM, CCFP




2015/12/10

Outstanding new book "Light: The Visible Spectrum & Beyond" by two of NASA's mission media specialists

Tso Moriri Lake  foto P.B.Doss

"Light: The Visible Spectrum and Beyond"

(please scroll to next post - below - to see 
my painting included in the book)


"A visual exploration of the power and behavior of light, across the electromagnetic spectrum, and how it affects life on earth and everything in the Universe.

Light allows us to see everything around us, but humans can only see a sliver of all light, known as the electromagnetic spectrum. Here, Kim Arcand and Megan Watzke present the subject of light as never before. 

Organized along the order of the electromagnetic spectrum, each chapter focuses on a different type of light.

From radio waves, harnessed for telecommunications, to X-rays, which let us peer inside the human body and view areas around black holes in deep space, Arcand and Watzke show us all the important ways light impacts us. 

An introductory chapter describes what light is and how it behaves, while hundreds of full-color photographs and illustrations demonstrate concepts and make for a stunning book that's a joy to read and browse".
 Kimberly Arcand



 This magnificent new book is now available at bookstores, Amazon or Barnes and Noble


       

2015/12/09

Here is image of my painting reproduced in "Light: The Visible Spectrum and Beyond"




 Light Sprang Forth, acrylic on canvas, 1964 by Henri van Bentum

Reproduced in the magnificent new publication, "Light: The Visible Spectrum & Beyond" (please see above post for more details). I am honoured to be in the company of Johannes Vermeer, Vincent van Gogh and Claude Monet whose works are featured in the book. This particular painting, acrylic on canvas, has an interesting history.  In 1966 it was also reproduced in TIME Magazine following my solo exhibition in Paris at Galerie Raymone Cazenave. 

The painting is in the Bissell Family collection, Canada.